THE DEFINITIVE GUIDE TO CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They tend to be craving romantics, using this difference: Buster seems a plausible mate, along with the Tramp barely appears to possess a libido, only idealized notions. If their comedies were manufactured in a more liberated time, it is feasible to assume Keaton in bed with a woman, but disquieting to consider the Tramp like a sexual becoming.). T